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Mumbai, Aug. twelve -- Shah Rukh Khan are going to be seen in Rahul Dholakia's Raees, a criminal offense drama set within the Eighties, whereas Hrithik Roshan can travel back to the two,500 B.C. for Associate in Nursing bold project, titled Mohenjo Daro.
On the opposite hand, Ranbir Kapoor can live over the jazz epoch that Bombay skilled within the '60s, in Anurag Kashyap's Bombay Velvet, whereas Irrfan Khan would be seen enjoying legendary author Sahir Ludhianvi in Ashi Dua's Gustaakhiyaan. If the amount of approaching films - set within the bygone era - is something to travel by, film industry appears to be revisiting the past.
Old is gold
"There is usually nice curiosity concerning the past, and what higher medium than cinema to return it?" says trade professional Taran Adarsh.
Ashutosh Gowariker says it had been his fascination with the yore romances that prompted him to create a movie. "I simply love 'love' stories, particularly those that square measure set in numerous times. And if those times happened to be many centuries agone, then the intensity of that romance grows manifold..." he same in a very statement.
Another romance that is set within the past is Sanjay Leela Bhansali's Bajirao Mastani. Salman Khanstarrer Shuddhi, that has part of reincarnation within the story, conjointly options some from the past. that is not all. Sanjay Gupta's John Abraham- Anil Kapoor starrer urban center heroic tale could be a crime heroic tale set within the '80s and '90s.
Rising to the challenge
Making a movie set in all over again isn't any mean task. Dibakar Banerjee admits that Detective Byomkesh Bakshy - that's set in 1942 - was the "the toughest film" of his life. Adds Gupta, "You got to recreate a wholly new world from scratch. and in contrast to the west, you do not have amount prop stores. therefore we've to try and do the rounds of Chor Bazaar and previous antique outlets."
In the act
Most actors say they realize such films inspiring . "The characterisation for Bajirao Mastani goes to be terribly distinct. i'll be going bald, and learning horse-riding, brand fighting and also the Sanskritic language language."
Ayushmann Khurrana, whose Hawaizaada is about in Eighteen Nineties whereas another one, Dum Laga Ke Haisha, relies within the Nineteen Nineties, says, "This is that the initial time i'm stepping out of my temperature." He will be seen aboard John in Shoojit Sircar's amount film, titled 1911.

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